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By being gone for ten years, you lose your sense of style because when you leave, the clothes and cars and everything – there’s a certain way. Lyfe Jennings: Well, they definitely booed me, as far as energy goes. As an aspiring artist, what kind of obstacles did you have to overcome, in regards to your imaging and garnering interest in your music? When you walked onstage, you were booed to a certain degree because you had an acoustic guitar. And that’s pretty much what I did up until the Apollo.Ĭlayton Perry: I remember there being a lot of controversy when you appeared at the Apollo. If I worked at the time, that’s the time my work’s cut out. I just really wanted to skip straight to the music thing, straight to the schedule that I had in prison. And I didn’t want to get out and then go on to study – you know, try to give back and connect to people, and all of that, man. Lyfe Jennings: Well, the transition period wasn’t really a transition period because when I was incarcerated, every day I was working on the music. What was that transition period like? Did you find it hard to get back on your feet? Lyfe Jennings: My favorite track off Baduizm is “On & On.” That was just very crazy, you know?Ĭlayton Perry: Once you were released from jail, there was a brief moment - a month or so of freedom - before you landed on stage at the Apollo Theatre.
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And I said, “That’s what I want to do.”Ĭlayton Perry: What song spoke to you the most? And then when I heard about Baduizm, I said, “Wow! This is all you’re going to hear when she drop the knowledge within the stones.” You know what I’m saying? She was still doing the music, but she did it her way. Because up until then, it had never really been done. Lyfe Jennings: I was at a point in time that I was doing a lot of reading and I couldn’t figure out a way to connect what I was reading to the music. At that particular moment in time, why do you think Baduizm had such a tremendous influence on your career? According to legend, her album ended up in your cell back in ’97 and it changed your perspective on music. Jennings managed to squeeze some time out of his busy schedule and settle down for an interview with Clayton Perry - reflecting on the provocative “S.E.X.,” the early influence of Erykah Badu, and life as a father in the public spotlight.Ĭlayton Perry: During the early stage of your career, I was intrigued by a story that revolved around your chance encounter with Erykah Badu’s Baduizm. In anticipation of his fourth and final studio effort, Mr. To date, Lyfe Jennings has recorded three critically-acclaimed albums: Lyfe 268-192 (2004), The Phoenix (2006) and Lyfe Change (2008). Accordingly, in 2008, the New York Times heralded Jennings as “a socially minded R&B singer.” And in spite of the mass media attention has been focused on his past, as an incarcerated felon, he has defied every stereotypical characterization that has come his way. But even thugs need love, too, and his catalog boasts tracks that spotlight the joys of life, love and the never-ending pursuit of happiness.īy straddling (and blurring) the lines of hip-hop and R&B, Lyfe Jennings has become of the music industry’s most unique stars. In the world of contemporary R&B, Lyfe Jennings is the prototype for what hip-hop heads would consider a “street disciple.” Like Nasir Jones, his musical cousin of another genre, Jennings has been vocal in tackling taboo issues that are ever-present in the social milieu. RT BrandNew535: Jill Stein: "We have a right to know who our choices are." Brand New Congress is the name of one such effort."
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